This philosophical essay explores the concept of Maya, drawing from ancient Sanskrit and Shaivism, to explain how our perceptions shape our understanding of reality. The author argues that we are often attached not to events themselves, but to the stories and emotions we associate with them. This attachment, influenced by external factors like media and societal expectations, creates a distorted lens through which we view the world.
The author uses the analogy of water colored by external dyes to illustrate how our perception, initially clear, becomes muddled by external influences. They introduce the three types of Maya from Shaivism: Mayiya Mala (limiting reality to perception), Anava Mala (identifying solely with the ego), and Karma Mala (believing actions are solely our own). These "malas" prevent us from seeing the true nature of reality.
The essay further argues that our judgments, often clouded by Maya, lead us to make inaccurate assessments of situations and people. It proposes the idea of a "divine design," where a higher power orchestrates events, while Maya keeps us oblivious. This concept is linked to common sayings like "everything happens for a reason," suggesting a preordained path.
The author concludes by challenging readers to question the reality they construct, urging them to detach from the need to control or overanalyze events. Instead, they suggest embracing life's journey with a sense of acceptance and detachment, likening it to playing a role in a movie. The essay ends on an open-ended note, leaving readers to ponder the true nature of reality and their place within it.
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by Rahul Kumar kl. medium.com 10-24-2024
https://medium.com/@rahulkumar_43069/whats-real-5d7153c31a86Dybere Forespørgsler