This article explores the intersection of still photography and cinematography, arguing that still photographers can benefit from understanding the principles of storytelling employed in filmmaking. The author emphasizes that while both mediums utilize images, cinematography inherently revolves around time, which plays a crucial role in narrative development.
The author posits that stories are a fundamental way humans learn and retain information. Movies, being time-based, excel at storytelling. By studying how cinematographers use time, composition, and sequencing to evoke emotions and convey narratives, still photographers can elevate their own work beyond single-frame captures.
The article uses the analogy of "interactive" theater to illustrate the author's preference for a more guided storytelling experience. This suggests that the author believes in the power of a well-crafted narrative, whether in film or still photography, to effectively engage and resonate with the audience.
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by Michael Alfo... a las medium.com 11-05-2024
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