The content describes the perspective of a homeless individual living in an unnamed city. The narrator observes the urban landscape and its various landmarks, imbuing them with symbolic meaning and significance.
The narrator describes how the city was "made" from the materials of the marginalized, such as the "skin cells of trapped prisoners" and "blood from Christ rejecting knees." This suggests the city's foundations are built upon the suffering of the disenfranchised.
The narrator carries few possessions, including a book, a broken ruler, a compass, and pens found in a dumpster. These meager belongings represent the limited resources available to the homeless. The narrator collects dirt from between cement slabs, treating it as a valuable commodity to be saved and shared, reflecting the scarcity and preciousness of even the most basic elements in the narrator's life.
The narrator is wary of landmarks that draw too much attention, fearing they may be "deliberately placed to distract" from their true purpose. This indicates a sense of mistrust and a desire to remain unnoticed, to avoid the scrutiny of those with status and power.
The narrator finds comfort and stability in the presence of church steeples, which serve as anchors in the narrator's drifting existence. In contrast, the high-rise condos are seen as symbols of wealth and status, further emphasizing the social divides within the city.
Overall, the content explores the homeless individual's unique perspective on the urban landscape, where landmarks and structures take on deep symbolic meaning and serve as reminders of the inequalities and challenges faced by those living on the margins of society.
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by Roman Newell à medium.com 07-19-2024
https://medium.com/the-interstitial/landmarks-60d69ca7ab95Questions plus approfondies