Core Concepts
This paper introduces Llambada, a novel method for generating musical accompaniment from vocal input and text prompts, enabling control over the accompaniment's instrumentation and genre.
Abstract
Bibliographic Information:
Trinh, Q.-H., Nguyen, M.-V., Mau, T.-H. N., Tran, K., & Do, T. (2024). Sing-On-Your-Beat: Simple Text-Controllable Accompaniment Generations. arXiv preprint arXiv:2411.01661v1.
Research Objective:
This paper introduces Llambada, a novel system for generating musical accompaniment from a vocal track guided by user-provided text prompts. The objective is to address the limitations of previous accompaniment generation models that lacked control over instrumentation and genre, hindering their practical application in music production.
Methodology:
Llambada leverages a two-stage approach:
-
Accompaniment Semantic Generation: The vocal input and text prompt are encoded into semantic tokens using MERT (for audio) and CLAP (for text) models. A T5 Transformer Decoder then generates accompaniment semantic tokens, capturing the desired structure, rhythm, and latent features like genre and instrumentation.
-
Accompaniment Acoustic Generation: The vocal input is encoded into acoustic tokens using Encodec. These tokens, along with the generated accompaniment semantic tokens, are fed into another T5 Transformer Decoder to predict coarse acoustic tokens. Finally, these tokens are decoded into the accompaniment waveform.
The authors also propose a pseudo-captioning pipeline to generate training data with text prompts, utilizing existing music captioning models and large language models.
Key Findings:
- Llambada successfully generates 10-second accompaniments from vocal input and text control.
- The model demonstrates robust control over the generated accompaniment based on input prompts, improving alignment with the song's instrumental and genre requirements.
- In both in-domain and out-of-distribution testing, Llambada outperforms existing methods like SingSong and FastSAG in terms of audio quality (measured by Frechet Audio Distance) and alignment with text prompts (measured by CLAP score).
- Ablation studies using Qwen-Audio for evaluation confirm the effectiveness of text prompts in controlling the instrumentation and genre of the generated accompaniment.
Main Conclusions:
Llambada presents a promising solution for text-controllable music accompaniment generation, offering greater control and flexibility for users in music production. The proposed pseudo-captioning pipeline addresses the challenge of data scarcity for this task.
Significance:
This research significantly contributes to the field of music generation by introducing a practical and user-friendly approach for generating high-quality, customizable accompaniments.
Limitations and Future Research:
- The model's current capability is limited to generating 10-second accompaniments. Future work could focus on extending this to generate longer and more complex musical pieces.
- The reliance on multiple large language models requires significant computational resources. Exploring more efficient architectures or optimization techniques could enhance accessibility.
- Further research could investigate methods for improving the alignment between text prompts and the semantic features of the generated music, leading to even more accurate and expressive control.
Stats
The training dataset consists of 4400 hours of music across various genres (pop, rock, jazz, ballad) and instrumentations (drum, bass, guitar, piano, organ).
The in-domain test dataset includes 53 songs segmented into 10-second segments.
The out-of-distribution test dataset utilizes 150 songs from the MusDB18 dataset.
Llambada shows improvements of +0.087 in CLAP score and -0.0695 in FADmean compared to previous methods in in-domain testing.
In out-of-distribution testing, Llambada achieves improvements of +0.12 in CLAP score and -1.537 in FADmean.
Ablation study shows an improvement of +2.78% in instrument alignment score and +1.314% in genre alignment score when using text control.