This poem presents a powerful and introspective exploration of the themes of time, mortality, and the distortion of history. The speaker begins by describing the "smashed" clock face, suggesting a disconnect between the relentless march of time and the lifeless body. The speaker then questions their own existence, wondering if they too are a "carcass" - a mere vessel devoid of life.
The poem then shifts to the speaker's experience in a museum, where they are "nailed in place" and displayed as a "beast with glassed-over eyes and ossified limbs" for the "curious amusement" of others. The speaker laments that these observers "know nothing of the brown and green taste of decay" and have "exaggerated and distorted" the tale of their past, burying them in history.
Ultimately, the speaker breaks free from this grave, leaving it "bare and empty" to let the world know that they were there, defying the distortions of history and reclaiming their own narrative.
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by Jibril às medium.com 09-04-2024
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