The story unfolds at the 2019 Hill Cumorah Pageant, a grand outdoor theater event put on by Mormons annually. The article provides an in-depth look at the casting process, the historical significance of the pageant, and the intricate details of how volunteers bring to life scenes from the Book of Mormon. It explores themes of belief, community, and cultural representation through a critical lens that questions aspects like redface portrayals and colonial undertones. The narrative follows the author's personal journey as an outsider navigating this elaborate production while reflecting on broader societal shifts towards spirituality and enchantment in an increasingly secular world.
The content captures moments of casting Jesus for the pageant, revealing behind-the-scenes glimpses into the meticulous preparation and spiritual significance attached to each role. It also delves into Mormon cosmology as a "science-fiction religion," drawing parallels between religious narratives and speculative fiction genres. Through encounters with cast members and witnessing rehearsals, the author contemplates themes of belief, social cohesion, and collective storytelling that underpin the pageant experience.
From exploring Joe Smith's visionary origins to contemplating cultural appropriation issues surrounding Native American portrayals in the pageant, the article navigates complex moral territories with nuance. It sheds light on how Mormonism intertwines with American history, myth-making, and contemporary challenges around faith and identity. The narrative culminates in a poignant reflection on enchantment as a driving force for communal action and spiritual connection amidst a backdrop of uncertainty and change.
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by Andrew Kay på longreads.com 07-15-2021
http://longreads.com/2021/07/15/mormonism-hill-cumorah-pageant/Djupare frågor