The poem utilizes the extended metaphor of toy soldiers to represent the speaker's childhood dreams. Once "divine metal, gold angels," these dreams were full of hope and promise, much like the idealized image of toy soldiers. However, as the speaker aged, these dreams lost their luster, becoming "thin tin toy soldiers / With sagging paint / And bent rifles." This transformation reflects the disillusionment that can accompany adulthood, where dreams often confront the limitations of reality.
The speaker, now a "broken god" to their former aspirations, grapples with a sense of responsibility for this decline. The once "seraphic" dreams are now relegated to the "barren grass fields" and "scorched stretches" of the speaker's adult mind. This imagery evokes a sense of desolation and highlights the stark contrast between the vibrancy of childhood imagination and the perceived sterility of adult pragmatism.
The poem ends on a poignant note, questioning the fate of these abandoned dreams. The speaker's longing for the lost "kingdom" promised "under the blanket" of childhood innocence underscores the universal human experience of grappling with the bittersweet passage of time and the often-painful realization that some dreams are left behind in the journey to adulthood.
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by Jibril lúc medium.com 11-03-2024
https://medium.com/catharsis-chronicles/to-the-dreams-i-left-behind-82ad70122b5eYêu cầu sâu hơn