核心概念
Johnson's art reflects a core commitment to self-love as the foundation for collective Black pride, emphasizing introspection and affection towards oneself.
摘要
Sargent Claude Johnson's art showcases a unique blend of introspection and tenderness, symbolizing self-love as the cornerstone of Black cultural pride. His sculptures and drawings depict gentle gestures of contemplation and care, turning inward to celebrate personal affection. Johnson's work stands out in the Harlem Renaissance era by highlighting the importance of self-love amidst diverse narratives of Black life, resonating with W.E.B. Du Bois and Alain Locke's conflicting views on art's role in achieving equality.
统计
Two towering philosophers: W.E.B. Du Bois and Alain Locke.
Works date from 1930-32 during the Great Depression.
"Forever Free" sculpture won a prize in 1935.
Johnson lived in the Bay Area from 1915 to 1967.
Exhibition organized by Huntington curator Dennis Carr with art historians Jacqueline Francis and John P. Bowles.
引用
"The protective mother and 'Chester' are both engaged in reflection."
"Johnson crafted a subtle gesture of self-love — not pompous or vain, but simple and resolute."
"Nature is rendered unnaturally, one might say, sometimes intertwined with musical instruments, staffs, and notes."