核心概念
Storytelling in documentaries is often driven by market demands and capitalism, but there is a unique power in exploring the possibilities of form to convey real-life complexities.
摘要
Documentaries are pressured to conform to traditional storytelling structures for commercial success. However, some filmmakers argue that this approach limits the genre's potential. Embracing associative editing and unconventional narratives can lead to a deeper understanding of subjects rather than mere identification. Films like "Time," "Cameraperson," and "The Hottest August" exemplify this shift towards exploring the nuances of real life beyond conventional storytelling. While storytelling can be compelling, centering on empathy over solidarity may hinder the documentary's ability to provoke meaningful reflections on society.
统计
Looking back at the highest-grossing nonfiction films of the last 15 years - March of the Penguins, Amy, Won’t You Be My Neighbour?, Three Identical Strangers, and Free Solo.
Netflix-produced My Octopus Teacher won Best Documentary at the Academy Awards.
Theo Anthony’s All Light, Everywhere challenges policing perspectives without a linear narrative structure.
Ingrid Raphaël and Melissa Gira Grant's film centers on five women who lost loved ones due to police brutality.
Delphine’s Prayers showcases a mother and sex worker from Cameroon with a tumultuous life story.
引用
"Story is only as natural as capitalism." - Brett Story
"To center an individual and their story is also to center empathy over solidarity." - Brett Story
"This ain’t gonna get far out there." - Maryam Malone in "They Won’t Call It Murder"
"Nobody is stopping this story being told – not as long as I’m the pilot of this plane." - Delphine in "Delphine’s Prayers"