核心概念
The author explores the grandeur and impact of the Sphere in Las Vegas, highlighting its role as a futuristic entertainment venue and a unique architectural marvel.
摘要
The article delves into the awe-inspiring experience of encountering the Sphere in Las Vegas, a monumental structure that embodies spectacle and human ambition. Costing $2.3 billion, covered in LED lights, and capable of transforming into various displays visible from space, the Sphere is described as an architectural wonder. It serves multiple purposes - an arena for concerts, a movie theater with IMAX screens, a digital canvas for art, and a weenie landmark to orient visitors within the city. The immersive experience provided by the Sphere is likened to a sensory assault amidst the vibrant chaos of Las Vegas.
Despite initial skepticism about its gimmicky nature, the Sphere's ability to captivate audiences through its technological prowess is acknowledged. The intricate technical challenges faced during its creation are detailed, emphasizing the meticulous planning required to ensure an optimal viewer experience. The article also reflects on modern concert culture's reliance on smartphones for documentation and consumption of live performances.
Furthermore, it explores how the Sphere blurs boundaries between artistry, technology, and audience participation. The evolving relationship between artist and viewer in a screen-dominated world is highlighted through examples like British DJ Fred Again's interactive shows. Ultimately, the Sphere symbolizes a fusion of art and technology while acknowledging our increasing reliance on screens for both consumption and participation.
統計資料
The Sphere cost $2.3 billion.
It is blanketed in 580,000 square feet of LED lights.
The building can transform its exterior into various displays visible from space.
U2 has an ongoing residency at the Sphere.
The first time Williams uploaded an animation for the Sphere, it would take two weeks to render just 60 seconds of footage.
引述
"The moment I first laid eyes on the Sphere... my airplane precipitously plunged what felt like between 90 and 300 feet."
"The kaleidoscopic display made a certain kind of sense because... it’s an arena conceived by Madison Square Garden Company."
"People don’t sing as loudly at shows as they used to because they’re distracted filming."
"The vast repository of the record of my work is shot by people I don’t know."
"I wanted to be cynical about the Sphere... but it is also my solemn duty to report to you that the Sphere slaps."